A broader article about mixing, in this module we’ll be integrating our mixing plan and we’ll put the mixing template into perspective. After reading this you will understand the importance of being bold when making mixing choices whilst using references in order to maintain control.

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This is a very simple guide on how to structure a mix. Getting rid of the clutter is possible if you trust the process and keep it simple: all you have to do is follow these four simple steps each time, at least until you’re confident enough and you can hear what needs doing before you even pay close attention.

The guide below is not just for beginners: it’s for anyone who spends weeks mixing something that should be mixed in one day, i.e. most tracks.

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A template is an empty “model” project, ready to receive the tracks you want to import.

Digital Audio Workstations (DAWs) come with many templates of their own and it’s either possible to customize them or create new ones from scratch.

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After reading this article you will have a clear understanding of what stock music is, you will be able to browse stock music content confidently and find what you really need. These below are the tips from a composer.

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Here’s a few tips, on how to get the most out of your custom music order.

For those who are new to implementing music in films, video games or other media, a bespoke soundtrack is music that is made from scratch specifically for a client, based on the project and its requirements, as opposed to library music or stock music, where the soundtrack is selected from a catalogue of existing works.

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